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The third floor of Chengdu Museum will hold "Lu Xun's Art World" from June 20 to August 20. Lu Xun (1881-1936) was originally named Zhou Xun, and later changed his name to Zhou Shuren, Yushan, and Yucai, Zhejiang. Famous literary, thinker, revolutionary, democratic warrior, important participant in the new cultural movement, one of the founders of modern Chinese literature. Mao Zedong once commented: "Lu Xun's direction is the direction of the new culture of the Chinese nation." As a great figure in the twentieth century, Lu Xun's personality and ideological glow have shrouded China for almost a century. Lu Xun's life, in addition to creation and translation, a lot of energy is spent on art activities. He once explained his artistic view in the article "Art Cloud Opinions on Publishing Publishing Art": "Art cloud, that is, use thinking to beautify the heavens and things. If the fusion is combined here, it is nothing but the appearance, and it is salty to be said art; such as sculpture, painting, articles, architecture, music are all." Here "art", That is, the term "art" is used now. His life is also a life of selfless dedication to art activities to collect the original Chinese modern prints, the original foreign prints nearly 2,000, the monument and the Han portraits more than six dry; buy more than 600 kinds of Chinese and foreign art books and magazines; The earliest introduction of foreign art was published in Chinese publications; the establishment of "woodcut workshops", which trained the first generation of modern Chinese printmakers; holding many printmaking exhibitions; supporting and guiding more than ten art societies; editing and publishing more than ten kinds of Chinese and foreign art books and periodicals; More than 60 design books and magazine covers, more than 30 titles written in titles; published a large number of articles on Chinese and foreign art; translated a variety of foreign art theory books and papers; left a huge amount of manuscripts and calligraphy ink. If literary creation is a struggle against suffering, the lifelong love of art is the source of Lu Xun's happiness. This exhibition through the exhibition of Beijing Lu Xun Museum collection of more than 110 pieces/sets, take us to Lu Xun's art world, and feel the rich and colorful art collection and spiritual world of this literary giant.
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The third floor of Chengdu Museum will hold "Lu Xun's Art World" from June 20 to August 20. Lu Xun (1881-1936) was originally named Zhou Xun, and later changed his name to Zhou Shuren, Yushan, and Yucai, Zhejiang. Famous literary, thinker, revolutionary, democratic warrior, important participant in the new cultural movement, one of the founders of modern Chinese literature. Mao Zedong once commented: "Lu Xun's direction is the direction of the new culture of the Chinese nation." As a great figure in the twentieth century, Lu Xun's personality and ideological glow have shrouded China for almost a century. Lu Xun's life, in addition to creation and translation, a lot of energy is spent on art activities. He once explained his artistic view in the article "Art Cloud Opinions on Publishing Publishing Art": "Art cloud, that is, use thinking to beautify the heavens and things. If the fusion is combined here, it is nothing but the appearance, and it is salty to be said art; such as sculpture, painting, articles, architecture, music are all." Here "art", That is, the term "art" is used now. His life is also a life of selfless dedication to art activities to collect the original Chinese modern prints, the original foreign prints nearly 2,000, the monument and the Han portraits more than six dry; buy more than 600 kinds of Chinese and foreign art books and magazines; The earliest introduction of foreign art was published in Chinese publications; the establishment of "woodcut workshops", which trained the first generation of modern Chinese printmakers; holding many printmaking exhibitions; supporting and guiding more than ten art societies; editing and publishing more than ten kinds of Chinese and foreign art books and periodicals; More than 60 design books and magazine covers, more than 30 titles written in titles; published a large number of articles on Chinese and foreign art; translated a variety of foreign art theory books and papers; left a huge amount of manuscripts and calligraphy ink. If literary creation is a struggle against suffering, the lifelong love of art is the source of Lu Xun's happiness. This exhibition through the exhibition of Beijing Lu Xun Museum collection of more than 110 pieces/sets, take us to Lu Xun's art world, and feel the rich and colorful art collection and spiritual world of this literary giant.
The exhibition hall on the first floor of Chengdu Museum will hold the "㝵 Jaguar - Mexico Ancient Civilization Exhibition" from June 8 to August 25, 2024. In the long volume of human civilization, ancient Mexico occupies a special place with its unique creativity and deep cosmic understanding. Ancient Mexico had developed a highly developed agricultural civilization 3200 years ago, creating unique text and calendar systems. From Olmec to Teotivacan, from Maya to Aztec, these diverse civilizations have profoundly influenced the historical process of Central America. And the Jaguar faith, as a cultural clue that has been through the development of civilization, they leave behind, not only the fine observation of nature and the pursuit of extraordinary beauty, but also a series of breathtaking cultural treasures, guiding us to explore the colorful material life of ancient Mexicans. Living and spiritual world. This exhibition brings together 154 cultural relics from nine major Mexican cultural institutions, most of which are first unveiled in China, including the most representative stone carvings, murals, pottery and sacrifice supplies. Through these witnesses, the ancient Mexicans showed the rain god, The reverence of the maize gods and the hidden jaguars reflects their deep insights into aesthetics, philosophy of life and nature. Join us to appreciate the artistic essence of ancient Mexican civilization and to deeply understand its spiritual connection with the gods and their profound impact on society. This is not just a tribute to ancient civilizations, but a journey to explore human understanding and expression of the supernatural.
Today, Mr. Zhao Fei explained to me the Chengdu Museum for nearly three hours, so that I not only saw the rich collection of Chengdu Museum, but also deeply understood the long history and deep cultural heritage of Chengdu. Teacher Zhao from the ancient Bayan civilization to tell me, through introducing the five ancient kings and early bronze, pottery and stone and other precious cultural relics, I not only learned the unique charm of the ancient civilization, but also learned the lifestyle and social structure of people at that time. In the exhibition hall of the Qin and Han periods, Mr. Zhao explained in detail the important status of Chengdu as a political, economic and cultural center during this period, especially the Shi Xi of the Han Dynasty impressed me very much. Then Mr. Zhao took me into the exhibition hall of the Tang and Song Dynasty. By explaining the exquisite gold and silverware, porcelain, and the literary scholars and calligraphy and painting works of the Song Dynasty, I deeply understood the cultural prosperity and artistic achievements of Chengdu during the Tang and Song Dynasty. Of course, through the explanation of Mr. Zhao, I also learned about the destruction of Chengdu by the Mongolian army in the Yuan Dynasty, and the tragic history of the massacre in Jixian County in the late Ming Dynasty. These tragic historical fragments have made me admire the tenacity and rebirth of Chengdu, and finally understand why Chengdu is such a inclusive city. Mr. Zhao's explanation, not only rich in content, clear logic, but also interspersed with a lot of interactive and interesting small stories, making the whole visit process easy and fulfilling. This explanation today is a kind of luck and enjoyment for me.
Architecture: The museum is chic in shape, with a sense of vision from a distance, and the line sense comes to your face. It is different from the simple and beautiful Forbidden City. Zhejiang Bo is low-key, reserved and restrained. Shangbo Haipai is elegant. Chengbo has a feeling of UFO and Samsung pile. When there are few people, you can take pictures of the environment and traffic: Just on the west side of Tianfu Square, next to the Art Museum Science and Technology Museum, this plan is very special, you can take a one-stop cultural and martial arts, the urban planning of the Chengdu Municipal Government is really in place. The transportation is very convenient with the subway, and the taxi is in order. You can sit at Starbucks and watch the traffic here, which is really a different kind of scenery. The furnishings in the museum: I mainly saw the 234th floor, and the 1st floor Mexico exhibition is to be opened. The lighting design in the museum is reasonable, the cultural relics are arranged in a sophisticated manner, and the pictures and texts are introduced, which can quickly get to the core idea of the exhibition. Shown in the order of the times, there is a feeling of crossing. The treasures of the two town halls are also very shocking. Guide explanation: The first manual explanation booked by Trip.com, I was confused and booked a group of one person. 🤪 I only knew 😆 Seweng lost the horse when I called in the morning. In addition to the per capita cost of a single time, there is really nothing wrong with it. Wang Dao came and quickly immersed himself in the explanation, especially in the Song Dynasty, I almost thought I could meet Dongpo University academicians. This feeling is that dozens of machine explanations or VR glasses cannot be given. You can basically understand the history of Chengdu 3,000 years within 2.5 hours. The rise and fall of the dynasty and the law of survival seem to be popularized from children. It's a little late then. I highly recommend this tour guide brother.
It took half a day to visit the Chengdu Museum. From the top to the bottom, there will be fewer people. In the folklore exhibition hall of Chengdu history, there are many simulated scene-style displays. It is very realistic and has an immersive feeling. Some items borrowed from the Samsung Dui Museum are also worth enjoying. The people and nature on the negative floor are very suitable for children to go to science animals, and the overall feeling is good.
The cultural relics are silent and the history is deafening. This morning, I was fortunate to meet the wonderful explanation of Mr. Liu, a big coffee teacher. The listener's knowledge leaped, and learned about Chengdu's past and present lives and ancient culture in all directions. Two hours on the stage, ten years of work under the stage. Like Teacher Liu, the gold medal interpreter, 💯🆙🥇👍